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I would like to express my deepest gratitude to everyone who visited the Paper & Pigment  exhibition, which concluded yesterday. Your presence, interest, and engagement made these days vibrant and profoundly enriching. I am especially grateful to Contemporary Art Zug  and Lain Art  for their impeccable organization and for supporting this artistic encounter with both rigor and sensitivity. My sincere appreciation also goes to the participating artists , whose outstanding work

PAPER & PIGMENT  opens very soon at Altstadthalle Zug, and I would love to see you there. I am part of this group exhibition bringing together 16 artists  exploring paper, color, and their contemporary possibilities through diverse languages and sensibilities. I will be presenting works that engage with everyday life in Switzerland and with my ongoing visual research on the domestic, the editorial, and the migratory. 📍 Altstadthalle Zug    📅 9–12 April 2026    🕚 11:00–20

Abstract In this article, I present an interpretation of contemporary Neo Pop from within my own artistic and editorial practice. Rather than reducing Neo Pop to a superficial aesthetic of icons, saturated colors, and pop references, I propose understanding it as a critical, informed, and deeply narrative language. Through the analysis of my work Swiss Story —a piece I created in response to the 2023 acquisition of Credit Suisse by UBS—I argue that visual saturation, far from

Dear community, I’m happy to share that I am now on Academia.edu , a platform where I will begin publishing articles, reflections, and materials related to my artistic, editorial, and documentary production. This space will allow me to organize and share —in a more academic and accessible way— the processes that shape my practice: memory, migration, archival methodologies, visual culture, and the multiple layers that sustain my projects. On my profile, you’ll find a detailed

Dear community, I’m happy to share that my space on Behance  is now live, where I’ve begun publishing some of my visual projects. Among them is Crónicas de la Piedad Reloaded , a piece that forms part of my ongoing research into memory, ritual, archives, and the iconography that runs through my creative process. Behance allows me to present my work in a more visual and immediate way, with images, process notes, and fragments that don’t always appear on my more formal platform

Dear community, My ORCID profile  is now available, a space where I’m gathering clear, verified, and well‑organized information about my artistic, editorial, and curatorial trajectory. ORCID works as an international identifier for researchers and creators, allowing me to consolidate in one place the projects, texts, exhibitions, and collaborations that have shaped my work in recent years. If you’re looking for a more structured —and yes, more substantial— overview of my prac

The work of Honys Torres has been examined by four key figures in contemporary Venezuelan art discourse: Morella Jurado , Katherine Chacón , César Araujo Torres , and Linda Phillips . Each of them—coming from different fields such as criticism, curatorial practice, art history, and expanded artistic research—offers a distinct perspective that enriches and deepens the understanding of her work. What unites them is not only their Venezuelan background but also their internation

I’m delighted to share that Peyer Gallery  is currently exhibiting a selection of my works — an opportunity to explore my Neo Pop universe and the visual research that has shaped my collections over the past years. The gallery offers an intimate, contemporary setting that invites you to move through the pieces at your own pace, pause over the details, discover connections, and let each work speak to you in its own way. It’s an ideal space to experience how memory, popular cul

The National Art Gallery has inaugurated the exhibition “Without Censorship: Nudes in Venezuelan Art,”  a show that revisits the body through multiple historical, political, and aesthetic perspectives. Within this journey, Venezuelan artist Honys Torres  stands out with her work “Johnny Bravo,”  a piece that disrupts the tradition of the nude through humor, pop culture, and contemporary critique. In a gallery where academic works, modern expressions, and experimental approach

✨ Ich bin immer noch voller Freude darüber, Teil von POP ART BASEL  gewesen zu sein. Es war eine wunderschöne Erfahrung, meine Arbeit so wertgeschätzt zu sehen – und das in einer so besonderen Location. Vielen Dank für die hervorragende Organisation, für die Liebe zum Detail und dafür, dass ihr mir die Möglichkeit gegeben habt, meine Arbeit einem so vielfältigen Publikum zu zeigen. Ich schätze auch sehr die Chance, mein Netzwerk zu erweitern und mit so vielen inspirierenden M

Gratitude to the audience of the 67th Arturo Michelena Salon I want to express my sincere gratitude to everyone who visited the 67th Arturo Michelena Salon , a fundamental space for Venezuelan art that recently came to a close. Participating in this edition with my artwork “ALÓ”  was a profound honor and an experience I will carry with me for a long time. My heartfelt thanks go to the audience who walked through the exhibition hall, who observed with attention, who smiled, re

Gratitude to the audience of the Elsa Morales National Art Salon 2025 I want to express my deepest gratitude to everyone who visited the Elsa Morales National Art Salon 2025 , an edition that has just come to a close and that I will carry with me for its strength, its diversity, and the remarkable artistic quality it brought together. Being part of this salon was already an honor; receiving the Luisa Palacios Graphic Arts Award  was an immense joy and a recognition I accept w