top of page

Books & Catalogues

Honys Torres’s practice extends beyond painting and collage into a vibrant territory where the book becomes an object, a container of gestures, and a site of intimate experimentation. Over the years, she has created a wide constellation of unique book‑objects, each one built through touch, impulse, and the transformation of everyday materials into visual language. These works operate as portable archives of her artistic universe: spaces where memory, migration, humor, and accumulation coexist without hierarchy.

 

From this expansive body of book‑objects, a parallel line of editorial books and catalogues has emerged—publications that document, contextualize, and expand the reach of her work. They function as both testimony and extension: records of her evolving practice and windows into the symbolic and material worlds that shape it.

 

This section presents a selection of available titles, chosen for the ways they illuminate the core themes of her work: the materiality of migration, the friction between order and chaos, the transformation of discarded images, and the insistence of memory as structure. Each book offers a distinct entry point into her visual language, revealing page by page the persistent, playful, and layered poetics that define Honys Torres’s artistic practice.

Copia de 6 libro.png

Detrás del espejo

Detrás del espejo is an artist’s book built from impulse: cutting, pasting, and letting each page find its own rhythm. The materials—worthless Venezuelan banknotes and free magazines collected on the streets of Zurich—shed their original function to become memory, texture, and gesture. Displaced national heroes, luxury ads, penguins, domestic objects, and personal symbols coexist on its pages, creating tensions between the solemn and the absurd, between order and chaos. Migration appears as matter rather than narrative: in what is lost, in what is gathered, in what mixes without hierarchy. It is a handmade emotional archive, a space where accumulation and friction shape a language of their own.

Zurich pop

Zürich POP is a vibrant tribute to the city of Zurich, created from the perspective of an artist who has walked its streets, experienced its traditions, and embraced its cultural rhythms. Each artwork in the book emerges from direct encounters with the city’s architecture, public spaces, and festivities, transforming them into contemporary pop icons infused with color, humor, and personal resonance.

The book highlights emblematic sites such as the Hauptbahnhof, Bahnhofstrasse, Wasserkirche, the University of Zurich, and the Landesmuseum, alongside historical figures like Ulrich Zwingli and the monumental sculpture of Karl der Grosse at the Grossmünster. It also celebrates the city’s collective rituals, including Pride at Bürkliplatz, the Sechseläuten festival with the burning of the Böögg, the joyful atmosphere of the Zurich Zoo, and the energy of Züri Fäscht, Switzerland’s largest popular festival.

Through this collection, Honys Torres offers a fresh, playful, and affectionate visual journey—an artistic homage to a city that has become home. The English edition preserves the spirit of the original while opening the experience to a broader international audience.

Year of Publication:  2026

Publisher / Production:  Independent project

Place of Publication:  Zurich, Switzerland

Number of Pages:  44

Format:  Printed book

Dimensions:  21 × 29.7 cm (210 × 297 mm)

ISBN: German 978-3-9526194-1-4

         Spanish  978-3-9526194-0-7

 

 

Libro Cronicas de la Piedad  .jpg

Crónicas de la piedad reloaded

Crónicas de la piedad reloaded, reimagines the historic motif of the Pietà as a contemporary critical lens. Through a series of visual chronicles, Honys Torres explores human fragility, collective memory, and the symbolic structures that shape our cultural imagination. Global iconographies—heroes, brands, instant mythologies—are dismantled and returned as fractured mirrors where the intimate and the political converge. The book offers a sharp, poetic reflection on vulnerability, resistance, and the power of images to rewrite the world.

Year of Publication:  2026

Publisher / Production:  Independent project

Place of Publication:  Zurich, Switzerland

Number of Pages:  44

Format:  Printed boo

Dimensions:  29,7  x 21 cm ( 297 x 210 mm)

ISBN:  978-3-9526194-2-1

Language:  Spanish

Diario de incertidumbre: pandemia

Diary of Uncertainty: Pandemic examines how the banal—what is trivial, playful, or seemingly harmless—can become a critical lens for understanding a time marked by fear, information overload, and collective fragility. Honys Torres draws on mass‑media icons, familiar animations, and symbols of contemporary visual culture to lure the viewer with a gentle surface, only to reveal beneath it a sharp political pulse.

Acting as a visual reporter, Torres captures the news of the moment, dismantles it, and transforms it into metaphor. In her hands, immediacy becomes reflection on the essential concerns of human experience—love, death, vulnerability—and on the power of images to transcend the instant and become memory. The book traces a path where the everyday becomes symptom, the ephemeral becomes sign, and the banal becomes a strategy for confronting, understanding, and rewriting the uncertainty of an era.

Year of Publication:  2026

Publisher / Production:  Independent project

Place of Publication:  Zurich, Switzerland

Number of Pages:  44

Format:  Printed book

Dimensions:  29,7  x 21 cm ( 297 x 210 mm)

ISBN:  978-3-9526194-4-5

Language:  Spanish

Monumento Lúdicos

Playful Monuments reinterprets the ten most searched artworks in the world through humor, color, and sharp critical insight. In an era dominated by algorithms and infinite replication, Honys Torres uses neo pop art not as decoration but as a tool for thinking: she dismantles solemnity, plays with universal icons, and turns each classical masterpiece into a conversation with the present. These pieces are not versions or parodies but personal readings that reveal what these images still say in the digital age. A vibrant journey where heritage and invention meet, and where looking becomes an act of intention, irony, and freedom.

Year of Publication:  2026

Publisher / Production:  Independent project

Place of Publication:  Zurich, Switzerland

Number of Pages:  44

Format:  Printed book

Dimensions:  29.7 × 21 cm (297 × 210 mm)

ISBN:  978-3-9526194-5-2

Language:  Spanish

de tin marín de do pingüe

De tin marín de do pingüe brings together a series of works created during one of the country’s most tense and fragile moments. Honys Torres chooses to speak from the small and the playful—through toys, irony, and an appearance of innocence—to look directly at a painful reality without shouting or dividing. These pieces act as a subtle form of resistance: they acknowledge what was lived, what hurt, what transformed us, and the different ways each person carried that time. The book opens a quiet space for looking and remembering, where each reader can find their own meaning, their wound, or their bittersweet smile. In difficult times, sometimes the most honest way to speak is in a low voice.

Year of Publication:  2026

Publisher / Production:  Independent project

Place of Publication:  Zurich, Switzerland

Number of Pages:  44

Format:  Printed book

Dimensions:  29.7 × 21 cm (297 × 210 mm)

ISBN:  978-3-9526194-3-8

Language:  Spanish

el rey desnudo

El Rey desnudo continues a visual investigation that began in 2015, when the image of King Juan Carlos I posing beside a hunted elephant in Botswana became a symbol of the widening gap between power and the public. Years later, the investigations into alleged commissions and bank accounts linked to Switzerland reignited debates around transparency and impunity, opening new fractures in the narrative surrounding the former monarch.

This publication revisits that initial work to observe how a myth shifts as public opinion changes, and how the figure of power cracks in real time. Rather than closing the story, it documents what is seen, what is said, and what remains unspoken. It is a visual chronicle of a narrative still unfolding.

Year of Publication:  2026

Publisher / Production:  Independent project

Place of Publication:  Zurich, Switzerland

Page Count:  20

Format:  Magazine‑style publication (printed artist’s book)

Dimensions:  29.7 × 21 cm (297 × 210 mm)

ISBN:  978-3-9526194-6-9

Language:  Spanish

heidi pop

Heidi POP examines how cultural symbols travel across geographies and acquire new meanings in the context of migration. The figure of Heidi—introduced to Venezuela through television—becomes a point of intersection between two countries that imagined one another from afar: Venezuela as the “Switzerland of the Americas” and Switzerland as a distant ideal of stability. Now living in Switzerland, the artist revisits this image to explore how memory, displacement, and everyday iconography overlap. Each work in the book engages with Swiss rituals, tensions, and cultural markers, mapping a space where Venezuelan and Swiss narratives coexist without hierarchy.

Year of Publication:  2026

Publisher / Production:  Independent project

Place of Publication:  Zurich, Switzerland

Page Count:  20

Format:  Magazine‑style publication (printed artist’s book)

Dimensions:  29.7 × 21 cm (297 × 210 mm)

ISBN:  978-3-9526194-7-6

Language:  Spanish

The Evil.jpg

el mal

EL MAL presents a compact catalogue of contemporary evil—not the mythic or heroic kind, but the one that slips into headlines, TikTok feeds, streaming platforms, global gossip, and everyday conversations. The book gathers a cast of characters and situations where malice appears in its most familiar forms: cartoonish judges, emotional con artists, fabricated heiresses, Tinder princes, vengeful “lobas,” meddling in‑laws, and a Heidi who no longer tends goats but symbolically sets the system on fire.
 

Through collage, pop references, and a pulse of migrant nostalgia, the work examines how today’s culture turns evil into spectacle, commodity, and entertainment. Rather than explaining or moralizing, it observes how malice disguises itself, how it seduces, and how it becomes part of the emotional landscape of a hyper‑mediated world. In these pages, evil doesn’t bite—it sings, invoices, protests, goes viral, and smiles with suspicious confidence. And it is precisely there that it becomes most unsettling… and most irresistible.

Year of Publication:  2026

Publisher / Production:  Independent project

Place of Publication:  Zurich, Switzerland

Page Count:  20

Format:  Magazine‑style publication (printed artist’s book)

Dimensions:  29.7 × 21 cm (297 × 210 mm)

ISBN:  978-3-9526194-9-0

Language:  Spanish

CONTACT

honys@hotmail.com / +41 77 996 42 88

  • Instagram
  • Facebook
  • Tumblr
  • Pinterest

Honys Torres catalogs at ISSUU

Thanks for submitting!

bottom of page