I am a visual artist working at the intersection of image, archive, and design as ways of thinking about power, memory, and contemporary communication. My practice emerges from a persistent question: how are the narratives that organize public life constructed, and how can we intervene in them through art?

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My work unfolds between Venezuela and Switzerland, two geographies that shaped the way I see. In Venezuela, I learned that the image is a symbolic battlefield; in Switzerland, I discovered that neutrality is also a form of discourse. That migratory passage is not a biographical accident—it is the conceptual axis that structures my production. I work from distance, translation, and the reconstruction of memory, creating bridges between Latin American affective iconography and European institutional precision.

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For me, the archive is not a passive repository but a living territory where history is negotiated. Editorial design is not a parallel craft but a formal extension of my visual thinking. Documentation is a critical tool that allows me to restore density to what culture tries to simplify. My work manifests in photographic series, artist’s books, editorial projects, and visual devices that use color, repetition, and irony to reveal the symbolic structures shaping everyday life.

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I work with a pop aesthetic that does not seek the surface but the fracture. Each image is a layer of information that opens toward the political, the intimate, and the social. My practice combines documentary rigor with a deeply narrative sensibility: I believe art can be archive, testimony, and play; that memory can be reconstructed through beauty; and that critique can be luminous without losing depth.